The Dutch soprano Johannette Zomer began her studies at the Sweelinck Conservatorium Amsterdam in 1990
with Charles van Tassel, after having worked as a microbiology analyst for several years.
In June 1997 she was awarded her Performance Diploma. Since then she has received coaching by Diane Forlano (London),
Claudia Visca (Wuppertal) and Marlena Malas (New York).
Her repertoire ranges from medieval music through all music of the baroque and classical eras,
including opera, but also Lieder, French Romanticism and Contemporary music.
Johannette’s concert appearances are also many and various. She has worked with Baroque
specialists such as Philippe Herreweghe, Ton Koopman, Frans Brüggen, Gustav Leonhardt, René Jacobs, Reinard Goebel,
Ivor Bolton, Thomas Hengelbrock and Paul McCreesh, but has also worked with conductors including
Kent Nagano, Daniel Harding, Ivan Fisher, Marcus Creed,
She regularly gives recitals accompanied by theorbo player Fred Jacobs or fortepiano specialist Arthur Schoonderwoerd
Johannette made her opera debut as Tebaldo in Verdi's Don Carlo with the Nationale Reisopera in October 1996.
Since then she has made regular appearances in roles including Belinda, Pamina, La Musica, Euridice, Dalinda and
Ilia, and also as Amanda in Ligeti’s Le Grand Macabre and Mélisande in Debussy’s Pelléas et Mélisande.
Regularly she contributes to CD-recording projects.
A few of her most recent releases – all very well received in both press and radio – are the Bach Cantatas
disc with the English ensemble Florilegium for which she won an Edison Award
the cd With Endless Teares* with theorbist Fred Jacobs, showing the development of English 17th Century Song –one of the top choices of 2009 on CD Review BBC-,
and the cd Love & Madness*, a disc with Händel aria’s together with Bart Schneemann, oboe (all on Channel Classics).
Take a look at
Sound & Images.